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A male Firecrest

The Common Firecrest is a very small passerine bird in the kinglet family. It breeds in most of temperate Europe and northwestern Africa, and is partially migratory, with birds from central Europe wintering to the south and west of their breeding range. Firecrests in the Balearic Islands and north Africa are widely recognised as a separate subspecies. The head crest, orange in the male and yellow in the female, is displayed during breeding, and gives rise to the English and scientific names for the species. The song is a repetition of high thin notes, slightly lower-pitched than those of its relative. The Common Firecrest breeds in broadleaved or coniferous woodland and gardens, building its compact, three-layered nest on a tree branch. Seven to twelve eggs are incubated by the female alone. Both parents feed the chicks, which fledge 22–24 days after hatching. This kinglet is constantly on the move and frequently hovers as it searches for insects to eat, and in winter it is often found with flocks of tits. Despite some possible local declines, the species is not the subject of significant conservation concerns owing to its large European population and an expansion of its range over the last century. (more...)

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Ira Aldridge in Titus Andronicus

An engraving made from a daguerreotype of Ira Aldridge (1807–1867) in the role of Aaron from William Shakespeare's Titus Andronicus. Aldridge was an African American actor who made his career largely in Europe due to persistent racism in the United States. He began acting with the African Grove theatre in New York City, and moved to London in the early 1820s, where he soon began receiving critical acclaim for his performances, most notably for Othello. He then was cast in several roles of specifically white characters, such as the title role in Richard III, and Shylock in The Merchant of Venice. He was so renowned that he is the only African American to be included among the 33 actors honored at the Royal Shakespeare Theatre at Stratford-upon-Avon.

Daguerreotype: William Paine; Image: London Printing and Publishing Co; Restoration: Adam Cuerden

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